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using your flash outside
Outdoor Portraits That Shine
One of the great hidden features on digital cameras is the fill
flash or flash on mode. By taking control of the flash so it goes
on when you want it to, not when the camera deems it appropriate,
you've just taken an important step toward capturing great outdoor
portraits.
In flash on mode, the camera exposes for the background first, then
adds just enough flash to illuminate your portrait subject. The
result is a professional looking picture where everything in the
composition looks good. Wedding photographers have been using this
technique for years.
After you get the hang of using the flash outdoors, try a couple
variations on this theme by positioning the subject so the sun
illuminates the hair from the side or the back, often referred to
as rim lighting. Another good technique is to put the model in the
shade under a tree, then use the flash to illuminate the subject.
This keeps the model comfortable and cool with no squinty eyes from
the harsh sun, and this often results in a more relaxed looking
portrait.
Remember, though, that most built-in camera flashes only have a
range of 10 feet (or even less!), so make sure you don't stand too
far away when using fill flash outdoors.
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Miscellaneous
Interesting ...
It’s Apple TV ...
Fast-forward a few weeks, and here I am sitting in my living room viewing hundreds of my own images on my flat-screen TV. Indeed, Apple TV has turned the black hole that was my TV into a 24-hour art piece. All day long, when I’m not viewing shows on the TV itself, Apple TV takes over and runs my images at 20-second intervals, softly dissolving from one to another.
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What to take in the 'ol kit bag
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A white cardboard square for setting the white balance.
- Not all digital camera have an automatic white balance setting. You would not want dull photographs.
Under proper lighting, take a picture of your cardboard; do this after every 6 shots or so, to be safe.
Aluminum foil is a great reflector of light and is cheap, lightweight and easy to carry.
- Instead of using the flash to illuminate your subject, try reflected light. Aluminum foil is a great reflector of light and is cheap, lightweight and easy to carry. During a walk in the woods, there are possibilities like taking pictures of delicate flowers growing in darker areas. There may be no direct light on the flowers and a flash would have completely washed out the color. Use a trusty piece of aluminum foil to reflect the light falling to the ground a few feet away towards the flowers. You can adjust the amount of light by moving or crumpling the foil.
carry a small coil notebook that I can use to note anything different I do. Some of the things I note include:
- Identify your photos – In addition to numbering them, for the first photo of a group of experiments, describe it so you will know which one it is when you get around to looking at them. This is the most reliable way to know to which photos my notes belong as the camera date is usually set off and I may take photos for days before downloading. Also. Note the ambient light conditions – indicate the type of light (direct sunlight, full shade, light overcast, 60 watt bulb etc) and the direction of the light in relation to your subject (from right to left, front to back, etc). If you have an SLR camera, note any variations in f-stop or shutter speed you make from those derived from using your light meter. When you have developed your photos (or downloaded them) look at the results and draw your conclusions about what worked and did not, what effects you liked and what you did not. Think about what you were trying to capture in the photo and whether the lighting you used enhanced or detracted from it.
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Exposure
a few notes Exposure.
Exposure is the amount of light that you allow into your camera when you take a picture. Too much light makes a photograph overexposed. Too little makes it underexposed. These are among the most lighting issues people face.
In an overexposed photo way too much light comes through the aperture, completely blowing out the highlights, washing out the colors, and flattening the surfaces. What few shadows are left are harsh. You've essentially burned the image away, leaving only a few light and color values behind.
In an underexposed image like this one, not enough light has made it through the lens, which means that there just isn't enough information coming into the camera. Everything is flat and dull, and only the strongest colors are able to make any sort of impression. Shadowed areas become completely lost.
A properly exposed image has the right mix of shadows, highlights, and middle ranges. It is sharp and in-focus up close, the colors are rich and accurate, and we haven't lost detail in the shadows or highlights.
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| Articles written by Webmaster - PhotographyA personal experience on learning how to submit photographic images to on line photo stock sites.
A personal experience of using a digital camera with a white balance mode and using a digital camera with no white balance mode.
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| Others articles: The ISOISO, as it relates to digital photography, is an indicator of how sensitive to light your camera’s sensor is, and most digital cameras allow you to adjust this sensitivity. The majority of low to mid-range digital cameras have an ISO range that goes from somewhere in the neighborhood of 50 or 100 up to around 400 to 800. The lower the ISO number, the more light that is necessary to get proper exposure on a given shot.
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| Others articles: on Black & White PhotographyBy removing colour from your scene, you are doing away with one of most potentially distracting elements in your photo. This will focus the viewer's attention on the shapes and forms within a scene. When composing your shot, look beyond the colors in the scene and instead arrange your scene's elements in a way that is visually enticing.
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| Stock Photography articles / Blogthe first part of becoming a stock photographer is getting some pictures approved and available for sale. It can be frustrating but if you follow these simple tips you can have a much easier time of it.
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| Memory card info.When you're figuring out the budget for your next digital camera,
make sure you factor in the purchase of an additional memory card.
If you have a 3 megapixel camera, get at least a 256MB card, 512MBs
for 4 megapixel models, and 1GB for for 6 megapixels and up.
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Testimonial Polaroid i531 -
I am very pleased with my purchase. I am a senior and the extra large display panel is so easy to see if I took the picture right. I love the cartoon icons, and they are large too. I have a color burst setting I didn't expect. Takes great pictures! Fast delivery service.
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